The reason for this, I think, was that the bands and the albums that were the most readily accessible were also some of the most lackluster. 24,99 € – 26,99 € Nespithe LP - 1st pressing! The point is to emphasize the mindset that is needed to appreciate a work as bizarre as this. And this is probably the most famous Death Metal record to have come from that country, alongside Demigod's Slumber Of Sullen Eyes. Another surprising part is the location in which the band originates from: Finland. Heh, it's an abstract concept. Edit Release All Versions of this Release New Submission . Their implementation of atonal licks and riffs uses a lot string skipping which help in their really off sounding grooves (And not a lot of dissonance, as compared to the other bands associated with Demilich). Don't take it from me. thanks, Album Rating: 5.0if god isnt real then how do you explain this album. When the Sun Drank the Weight of Water download. It is a bit of an odd thing that I not only checked this album out, but actually gave it enough listens to fully grasp the genius behind it, because I am usually impervious to the fierce word of mouth propaganda that led to my doing so in the end. It was really just heavy and strong music, yet standard. First off, I highly recommend anyone not familiar with this band to visit Demilich's official website and download this, and all their demo material. Needless to say, to even be at the point of having an informed opinion of an album such as Nespithe, I have come a long way. It’s no doubt clichéd to say in a metal review, but the gurgling sounds downright Lovecraftian in scope and atmosphere. I don't understand the legal situation as to why this was a free download, etc., but I do know that the band members were very upset that the rerelease of Nespithe and their first demo didn't sell well. While the music can be difficult to follow due to its chaos, its countless riffs linger in the mind individually. I didn't find the music to be competitively superior or distraught in terms of the amount of heaviness and song structures the band produced. Songwriting is precisely thought out, seemingly random at first like jazz, however further listens reveal the themes and motifs played regularly re-ocurr throughout the song like some kind of extra-terrestrial symphony. nile Back in the day, you'd find death metal bands rising mostly from Florida and New York states, England, and Sweden, respectively. And You'll Remain... (In Pieces in Nothingness) It is true that the main attraction of this album, or rather, the curiosity directed towards it, is because of this enigmatically eccentric, vocalized type of death metal, yet Demilich also propose much more. Rasputin, what are the other two in your top 3? Some people seem to have marked the vocals as god-like, akin to the Wormed style (Phlegeton), and this too puzzles me. It's dumbfounding, but that's the power of amazing songwriting. Review. Anyone who says there's no excuse for not having this album if you're a fan of death metal is partly wrong. We’ve covered the 5 greatest death metal albums of 1989, 1990, 1991 and 1992 and 1993 found death metal continuing on its all-conquering path, resulting in a collection of releases that would go down in history as classics of the genre!. The crowd happily headbanged as they were treated material from Demilich’s demo output, as well. Needless to say, I was totally blown away to hear this. Cryptworm – Reeking Gunk of Abhorrence (2020) | REVIEW Merging the competitive sport of primitive drop-tuned, filth-choked death grooves with singularly resolved Demilich ian six-angled concepts this Bristol, England stationed death metal duo re-emerge from a complex web of slime and hair with a far more substantive and memorable second EP. and show that they do not take themselves too seriously. Most are twangy, some are death/thrashy, but all of them seem to fit into place. DEMILICH Nespithe music review by toroddfuglesteg Progarchives.com has always (since 2002) relied on banners ads to cover web hosting fees and all. Perhaps one of the most remarkable things about this record is just how different it sounds to the rest of what this unremitting genre has to offer. It’s almost like Antti brought a couple new scales with him from whatever higher dimension he came from. Unlike most classical works without the realm of Metal, Demilich is duly noted for the most bizarre and possibly inhuman vocals ever delivered from Luciano Pavarotti to Rob Halford, (please do not misapprehend this to be a true comparison, they are entirely different singers altogether) Antti Boman manages to give this album an entirely new dimension which prior to the existence of this record, hadn't yet come to existence. Most instruments are heard quite clearly in this high pitched mess. The demo works had, as another review put it, a putrid, rotten sound. Note the bizarre, surreal song titles as well. The realms of the abstract are explored with eerie and chaotic melodies that sound somewhat disjointed and alienating. The tracking for the instruments is also unusual for the time period, with separate guitar and bass tracks playing from individual speakers. Over the years, though, better experimental death metal bands emerged, and to me Demilich doesn't sound any different than most death metal bands, to some extent. Demilich have opted to completely ditch the idea of creating riffs which would induce a physical seizure (unlike Morbid Angel or Sepultura) yet favored a much more pragmatic, and dare I say, musically profound approach which does not rest on any single instrument. Best viewed without Internet Explorer, in 1280 x 960 resolution or higher. Nespithe (which is really "The Spine" or "The Penis") contains very unusual, metaphoric (in some way), and ridiculous lyrics, whether they're merely just for comedy (as much as the abominations in the album cover look) or veering away from the general themes of death metal. The 20th Adversary of Emptiness reproduces a restored Nespithe complete with original art, adds two songs from the 2006 return of Demilich, and then compiles the demos of this formative band. Identifiable recursive song structures are nonexistent. The entire band seems to flow altogether, with sufficient mastery of their instruments, without overdoing it in terms of speed. The song structures are always progressing, so riffs never become stale, but the transitions from riff to riff are executed incredibly well. Exploration is taken further with unpredictable song construction that seems somewhat random but ,as stated previously, coherent. Indeed, they take their time exploring and discovering the cosmic planes and the mind within. I mean, look again at that album cover, look at the fucker on the far left, he looks like a Terminator. No other band sounded like this that I know of and the overall technical prowess of this band was a tier above all others in the death metal scene in that era. And boy does this guy know how to use a drum kit! It hints at the fact that they didn't take things (including themselves) too seriously. 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